Impact Boxes For Electric Guitars

The amazing range of electronic possibilities has actually reached music to unbelievable levels of tune, tunes and consistency. The gadgets that make all this possible are versatile and diverse. Devices called Result Boxes produce singular results in guitar sounds.




An input music signal is mixed with a tone that is synthesized. This tone is an octave greater or lower than the input. This is produced exactly what the octavizer does. The octavizer pedals are readily available as the following models - Green Ringer, Ampeg Scrambler and Tycobrahe Octavia, and lots of much more.


Stage shifter


This impact developed by this device is the noise of a jet flying just above you! It was much searched for in the '70s by piano players and Best Bass Multi Effects Pedal. Electro-Harmonix Small Stone, Dunlop Univibe and BOSS PH-3 are apt examples. These pedals allow you to alter the pitch of a musical instrument, generally allowing for a smooth tone.


Pitch Shifter


The pitch shifter allows two artists to dip into different pitches, without modifying the tuning of either instrument. Digitech Whammy Pedal and Boss CS-5 are 2 popular Pitch Shifter Pedal items.


Distortion pedals


This pedal can generate newer harmonics into a typical electric guitar signal. This will misshape the signal and the output is a more different sound that can not be achieved by an electrical guitar, easily. Some of these can produce overdrive. These pedals can either


Boost amplification considerably

Lower amplification to produce a harsh noise

Distortion pedals can

Transform input sound into a hot output (The Ibanez Tube Error )

Convert the input music into a harsh, abrupt output (The Gibson Maestro Fuzz is an example of such a fuzz box).

Transform input to an overdriven and harsh output (The BOSS DS-1 of Roland Corporation develops this impact).

Sound is copied then sent as output, after a delay. The sound can be output as a single or multiple repetitions.

The latter sounds like an echo (MANAGER DD-6 of Roland Corporation, Pod2.0 of Line 6, and ToadWorks Redux are some examples of hold-up pedals).

Produce a bit of upper octave harmonics (the Roland Bee Baa of Roland Corporation).

Chorus If the delay time is cycled, very short and varied, the ensuing echo is unclear or distinct. Rather, a swirling noise is heard. If it seems like numerous instruments played at the same time, then it is called a "chorus" result. Examples of the chorus result pedals are Ibanez CF-7 of the Ibanez Business and EMPLOYER CE-1 of Roland Corporation).

Wah-Wah This pedal does not permit all the inbound frequency to pass. By running the pedal back and forth you can permit just the higher frequency notes or only the lower frequency notes to travel through.


The effect therefore created makes you think you can hera a person stating "wow". In the 1960s Wah-Wah impact and fuzz box effect were combined to develop a "fuzz-wah" impact! Some of the readily available brand names of Wah-Wah pedals are Dunlop Cry Baby and Vox Wah-Wah.



The gadget is more of an automatic volume control. When input noise increases in volume, the compressor reflexively decreases the output volume. And for the reverse impact, the volume of the output is enhanced when the music played decreases in volume.


The uniform volume level kept offers the impression of a greater sustain impact for the guitar. A compressor can help vary other impacts like distortion. Some popular brand names of Compressor Pedals are ToadWorks Mr.Squishy, BOSS CS-3, and MXR Dynacomp.


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